It’s as if the Chinese are so foreign it doesn't count.
But while some gendered biases exist in all interracial dating, few have gained as much notoriety as so-called yellow fever.
In parts of the US, such a notion has become so pervasive that last year, Debbie Lum, an American filmmaker of Chinese descent, sought to capture the madness in her documentary “Seeking Asian Female”.
Yet this portrayal epitomises what many see as a narrow perception of East Asian (defined as Chinese, Japanese, Korean etc) women.
Elsewhere, in an open letter to the culture minister earlier this year, actors from The British East Asian Artists (BEA) criticised the BBC and other outlets for their cultural stereotyping of East Asians on TV and stage – describing the female parts as “passive and submissive”.
Professor Miri Song, who specialises in ethnic identity at the University of Kent, suggests that the parodying of Chinese people is seen as more “socially acceptable” in part because East Asians are not seen as truly disadvantaged, or merit the same protection status as other ethnic minorities.
She points to how British Chinese do well academically and professionally.She tells me how she was instantly associated with being quiet, analytical and nice when she started working in London, and describes fighting for opportunities to speak and chair meetings.“It took me a long time to get over that," she says.Take the 25th anniversary revival of Miss Saigon in the West End.The tale of the tragic love story between a young Vietnamese woman and an American soldier paints a heartbroken and helpless image of Miss Saigon that remains one of the most poignant and visible depictions of Far Eastern women in popular culture.“I like to joke that San Francisco is the epicentre of the yellow fever phenomenon”, says Debbie, who describes a general awareness of being looked at by men because she’s Chinese.