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Narratives of miscegenation are common in Israeli cinema. Texas film studies series." Author's Abstract: COPYRIGHT 2002 Speech Communication Association.Rather than imposition from "above" or construction from "below," the adaptive responses by organizations (to changes in both community expectationsand the resource environment) transform the collective identity formulations reaching public visibility." [Social Sciences Abstracts] Author Abstract: "In this essay, I demonstrate through numerous examples taken from four identifiable Hindi film subgenres queer themes which though nontransgressive in their native Indian context, acquire subversive value and serve as queer points of identification when viewed from a non-ationalist bias.

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1 "From Exile to Ethnicity: Nestor Almendros and Orlando Jimemez-Leal's Improper Conduct." In: The Ethnic Eye: Latino Media Arts. Packed with interviews and an array of film clips from the genre, this documentary celebrates more than half a century of queer independent filmmaking. / Rosanne Kennedy --From string of knots to orange box: lesbianism on prime time /Margaret Marshment and Julia Hallam --OUT: reflections on British television's first lesbian and gay magazine series /Diane Hamer with Penny Ashbrook --Pussy galore: lesbian images and lesbian desire in the popular cinema /Yvonne Tasker --Fostering the illusion: stepping out with Jodie /Clare Whatling --Looking lesbian: amazons and aliens in science fiction cinema /Paula Graham --Basic Instinct: damning dykes /Angela Galvin "Looking lesbian: amazons and aliens in science fiction cinema." In: The good, the bad and the gorgeous: popular culture's romance with lesbianism / edited by Diane Hamer and Belinda Budge. J.]: Fairleigh Dickinson University Press ; London ; Cranbury, N. "Hollywood as Inspiration for the Stage: The Gay Playwrights' Perspective." In: Hollywood on Stage: Playwrights Evaluate the Culture Industry / edited by Kimball King. The pornographic videos and photo spreads of the porn star Ryan Idol are examples of self-reflexivity.

pp: 171-82."Queer as Desis: secret politics of gender and sexuality in Bollywood Films in diasporic urban ethnoscapes." In: Bollywood: sociology goes to the movies / Rajinder Kumar Dudrah. "Laura Mulvey meets Catherine Tramell meets the She-man: counter-history, reclamation, and incongruity in lesbian, gay, and queer film and media criticism." In: A companion to film theory / edited by Toby Miller and Robert Stam. An overview of the history of gay and lesbian cinema, from Kenneth Anger's pioneering Fireworks (1947) to Ang Lee's Brokeback mountain (2005). "Shortcomings: Questions about Pornography as Pedagogy." In: Queer Looks: Perspectives on Lesbian and Gay Film and Video / editors Martha Gever, Pratibha Parmar, John Greyson. /Sue O'Sullivan --'Cop it sweet': lesbian crime fiction /Gillian Whitlock --Making a drama out of a difference: Portrait of a Marriage /Jenny Harding --Gorgeous lesbian in LA Law: the present absence? Morohoshi." In: Q & A: queer in Asian America / edited by David L. " Gay pornography is interesting because of its self-reflexivity, which draws attention to sex as performance.

"The Talented Poststructuralist: Heteromasculinity, Gay Artifice, and Class Passing." In: Masculinity: bodies, movies, culture / edited by Peter Lehman. "Pussy galore: lesbian images and lesbian desire in the popular cinema." In: The good, the bad and the gorgeous: popular culture's romance with lesbianism / edited by Diane Hamer and Belinda Budge. Where Altman sees this lack of representative depiction as a failing, this article operates from a different basic understanding of the nature and function of cultural representation.

It studies five films, the women perform their femaleness and their queerness both offstage and on, creating a new kind of female filmic spectacle"--Provided by publisher. Culture and the moving image "Queer Male Cinema and Feminism." In: Women and Film: A Sight and Sound Reader. Altman also notes in reference to "The Wedding Banquet," the representation of these emergent Asian gay communities is itself notably lacking in these films.

Watching particular films with this "queer diasporic viewing practive," sex/gender play which is normative (yet still coded) in the land of the films' production can be reclaimed as queer through the differently subjective lens of transnational spectatorship, a lens removed from patriarchy, sexism, and homophobia.

This particularly becomes apparent in the Bollywood dance sequence--the frequent site of Hindi sex/gender play--whose coded queer desires are much easier to de-code (or re-code)when in the diaspora." [Article copies available for a fee from The Haworth Document Delivery Service: 1-800-342-9678. "Black lesbian spectatorship and pleasure in popular cinema." In: A Queer romance: lesbians, gay men, and popular culture / edited by Paul Burston and Colin Richardson. pp: 59-78 New queer cinema: an introduction / Michele Aaron -- New queer cinema / B. Pearl -- The characteristics of new queer filmmaking: case study - Todd Haynes / Michael De Angelis -- Camp and queer and the new queer director: case study - Gregg Araki / Glyn Davis -- Art cinema and murderous lesbians / Anneke Smelik -- New queer cinema and experimental video / Julianne Pidduck -- New queer cinema and lesbian films / Anat Pick -- New queer cinema: spectacle, race, utopia / Daniel T. Topics includes the influence of history on gay sexual culture and an analysis of the portrayal of homosexuality in film and literature. Minneapolis, Minn.: University of Minnesota Press, c1996. "Bad Asians: new film and video by queer Asian American artists." In: Countervisions: Asian American film criticism / edited by Darrell Y. Culture and education series"Birth of a Notion: Towards Black Gay and Lesbian Imagery in Film and Video." In: Queer Looks: Perspectives on Lesbian and Gay Film and Video / editors Martha Gever, Pratibha Parmar, John Greyson. New York: Routledge, 1993."Pigs and Provos, Prostitutes and Prejudice: Gay Representation in Irish Film, 1984-1995." In: Sex, Nation, and Dissent in Irish Writing / edited by Eibhear Walshe. Oxford ; New York: Oxford University Press, 1998."What a difference a gay makes: marriage in the 1990s romantic comedy." In: Falling in love again : romantic comedy in contemporary cinema / edited by Stacey Abbott & Deborah Jermyn. Deviant Eyes, Deviant Bodies: Sexual Re-orientations in Film and Video / Chris Straayer. Indeed, as the politics of both the outmoded Confucian family and fractured Chinese nationhood intersect, what the sad young (gay) man rebels against is a political fluctuation which is no longer fixed; as the young man's opposition is no longer fixed, so too does he become alienated even from his own rebellious cause." "The gay take on 'straight' makes its way into the movies; these days heterosexuals are just as likely to be caricatured as homosexuals." The New York Times June 8, 1997 v146 s2 p H1(N) p H1(L) col 3 (51 col in) This article discusses the role of memory on homosexual identity and activism. "This work examines and critiques the prevalence of "performance spaces" for lesbian identities in films, evaluating how queer femaleness is signified on the screen in contemporary cinema. New York: Oxford University Press, 1988."Queer Bollywood, or 'I'm the Player, You're the Naive One': Patterns of Sexual Subversion in Recent Indian Popular Cinema." In: Keyframes: popular cinema and cultural studies / edited by Matthew Tinkcom and Amy Villarejo. Some of those East Asian film and video representations are examined. Culture and the moving image "Visible silence: spectatorship in Black gay and lesbian film." In: Representing Blackness: issues in film and video / edited with an introduction by Valerie Smith. New York: Routledge, 2002."Lesbian and gay documentary: minority self-imaging, oppositional film practice, and the question of image ethics." In: Image ethics: the moral rights of subjects in photographs, film, and television / edited by Larry Gross, John Katz, Jay Ruby. "The third body: patterns in the construction of the subject in gay male narrative film." In: The visual culture reader / edited, with introductions by Nicholas Mirzoeff. "'A Queer Feeling When I Look at You': Hollywood Stars and Lesbian Spectatorship in the 1930s." In: Multiple Voices in Feminist Film Criticism / Diane Carson, Linda Dittmar, and Janice R. Additionally it argues that by inviting mainstream audiences to read the program within familiar televisual flames, Will & Grace can be read as reinforcing heterosexism and, thus, can be seen as heteronormative." [Expanded Academic Index] Author's Abstract: "In a recent essay about gay life in Asia, Dennis Altman (1995) noted that "the past decade has seen the growth of a commercial gay world beyond its few existing bastions such as Bangkok and Tokyo to cover most of the countries of Asia." In a previous article focusing on East Asia, the author pointed out that this development is being complemented by increased film and video representation of gay men and, to a lesser extent, lesbians and other queer characters and communities. K.; New York: Manchester University Press: Distributed exclusively in the USA by St. "The Erotic Female Friendship Film: Lesbianism in the Mainstream." In: In the company of women : contemporary female friendship films / Karen Hollinger. "Pee Wee Herman: The Homosexual Subtext." In: Out in Culture: Gay, Lesbian, and Queer Essays on Popular Culture / edited by Corey K. But you don't have to be gay to find that a good thing." (motion pictures depicting a gay lifestyle)(Brief Article) Time v152, n8 (August 24, 1998):73 (2 pages). Drawing on 15 in-depth interviews conducted in Western Canada in 1996, the results clearly demonstrate the existence of active lesbian viewers, whose interpretations of popular film are intimately informed by lesbian-specific life experiences and cultural competencies.