"Black lesbian spectatorship and pleasure in popular cinema." In: A Queer romance: lesbians, gay men, and popular culture / edited by Paul Burston and Colin Richardson. pp: 59-78 New queer cinema: an introduction / Michele Aaron -- New queer cinema / B. Pearl -- The characteristics of new queer filmmaking: case study - Todd Haynes / Michael De Angelis -- Camp and queer and the new queer director: case study - Gregg Araki / Glyn Davis -- Art cinema and murderous lesbians / Anneke Smelik -- New queer cinema and experimental video / Julianne Pidduck -- New queer cinema and lesbian films / Anat Pick -- New queer cinema: spectacle, race, utopia / Daniel T. Topics includes the influence of history on gay sexual culture and an analysis of the portrayal of homosexuality in film and literature.
Minneapolis, Minn.: University of Minnesota Press, c1996. "Bad Asians: new film and video by queer Asian American artists." In: Countervisions: Asian American film criticism / edited by Darrell Y. Culture and education series"Birth of a Notion: Towards Black Gay and Lesbian Imagery in Film and Video." In: Queer Looks: Perspectives on Lesbian and Gay Film and Video / editors Martha Gever, Pratibha Parmar, John Greyson. New York: Routledge, 1993."Pigs and Provos, Prostitutes and Prejudice: Gay Representation in Irish Film, 1984-1995." In: Sex, Nation, and Dissent in Irish Writing / edited by Eibhear Walshe. Oxford ; New York: Oxford University Press, 1998."What a difference a gay makes: marriage in the 1990s romantic comedy." In: Falling in love again : romantic comedy in contemporary cinema / edited by Stacey Abbott & Deborah Jermyn. Deviant Eyes, Deviant Bodies: Sexual Re-orientations in Film and Video / Chris Straayer. Indeed, as the politics of both the outmoded Confucian family and fractured Chinese nationhood intersect, what the sad young (gay) man rebels against is a political fluctuation which is no longer fixed; as the young man's opposition is no longer fixed, so too does he become alienated even from his own rebellious cause." "The gay take on 'straight' makes its way into the movies; these days heterosexuals are just as likely to be caricatured as homosexuals." The New York Times June 8, 1997 v146 s2 p H1(N) p H1(L) col 3 (51 col in) This article discusses the role of memory on homosexual identity and activism.
London; New York: Routledge, 1997."Imaging the Queer South: Southern Lesbian and Gay Documentary." In: Between the Sheets, in the Streets: Queer, Lesbian, Gay Documentary / Chris Holmlund and Cynthia Fuchs, editors. While homophobia in the media has become less overt in the 1990's, the ideology of heterosexism remains dominant and largely unchallenged." [America: History and Life] "Battle for Britain." (conservative backlash against recent Englishmovies; includes related article on rules forbidding intentional promotionof homosexuality) Film Comment v24, n4 (July-August, 1988):62 (7 pages).
It seems clear that queer theories are marked by intellectual and speaking positions that cannot be so easily divided into dominant or peripheral, East or West, international or local, the West or the Rest." [Psych Info] "Evaluates changing film and mass media presentations of gays and lesbians since 1969 and reviews major scholarship on the topic.
(includes related information on four films with a gay theme)." Time v147, n11 (March 11, 1996):66 (3 pages). 335 Author's Abstract: COPYRIGHT 2000 Haworth Press, Inc.
""A treatise on decay" : liberal and leftist critics and their queer readings of Depression-era U. film." In: Looking past the screen : case studies in American film history and method / edited by Jon Lewis and Eric Smoodin. "Screening Lesbians." In: The New Lesbian Studies: Into the Twenty-First Century / edited by Bonnie Zimmerman and Toni A. He goes on to explore viewers' behavior inside the porno-arcade/theater, arguing that the exhibition of gay pornography makes possible a space in which dominant forms of sexual subjectivity can be (re)produced, challenged, countered, and violated." [Art Abstracts] " The Final Frontier: Two New Movies ["Birdcage" and "Celluloid Closet"] Pose the Question, Can't Hollywood Treat Gays Like Normal People?
"Of Hags and Crones: Reclaiming Lesbian Desire for the Trouble Zone of Aging." In: Between the Sheets, in the Streets: Queer, Lesbian, Gay Documentary / Chris Holmlund and Cynthia Fuchs, editors. It is this very insistence of gay pornography on highlighting reality, rather than focussing on fantasy, that makes it effective." [Expanded Academic Index] "The promotion of queer studies in Asian countries is discussed.
"Martin Dines explores the relationship between the physical and metaphorical spaces of suburbia and the evolution of modern gay identities across a range of British and American film and fiction, looking at the work of Dennis Cooper, Quentin Crisp, Todd Haynes, Christopher Isherwood, Kevin Killian, David Leavitt, Oscar Moore and Edmund White"--Provided by publisher. London: Pandora, 1994."Shakespeare, Branagh, and the "queer traitor": close encounters in the Shakespearean classroom." In: The reel Shakespeare: alternative cinema and theory / edited by Lisa S. The viewer is never allowed to forget the presence of the camera.
He calls for an analysis of the tactical responses of (homo)sexual subjects to the historical situation of the exhibition of gay pornography.
"Erasure and Taboo: A Queer Reading of Bonnie and Clyde." In: Arthur Penn's Bonnie and Clyde / edited by Lester D. He suggests that film studies in the heteronormative academy relies on the practice of close analysis to contain the threat and promise of gay pornography and the space where it is shown.
New York: Feminist Press at The City University of New York, 1996."Diaspora sexualities : Asian American queer video in the world system." In: Ghostlife of third cinema : Asian American film and video / Glen M. Minneapolis : University of Minnesota Press, c2009. Benshoff -- The new queer spectator / Michele Aaron. Pictures at an Exhibition." In: Arthur Penn's Bonnie and Clyde / edited by Lester D. He argues that such films signify culturally and socially regardless of whether they are watched or not; how they do this has less to do with their individual content than with a broad range of forces beyond the reach of a discipline dedicated primarily to reading films.
London ; New York: Routledge, 1995."Drama Queens: Latino Gay and Lesbian Independent Film/Video." In: The Ethnic Eye: Latino Media Arts. Contreras -- New black queer cinema / Louise Wallenberg -- Nationality and new queer cinema: Australian film / Ros Jennings and Loykie Lomine -- New queer cinema and third cinema / Helen Hok-Sze Leung -- Reception of a queer mainstream film / Harry M. "The writer discusses film studies and gay pornography.
"The Voice of Pornography: Tracking the Subject Through the Sonic Spaces of Gay Male Moving-Image Pornography." In: Keyframes: popular cinema and cultural studies / edited by Matthew Tinkcom and Amy Villarejo. Many Asian countries have reported on the enormous usefulness of the Internet not only to make queer friends, but also to question and debate sexual politics.