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I can do anything…, yeah Hell nah, hell nah, hell nah, hell nah I can do anything…, yeah Hell nah, hell nah, hell nah, hell nah & I’m nice, nice, nice, nice, nice, nice, nice Up all night, night, night, night, night, night, night Running from the lights, lights, lights, lights, lights, lights, lights Covered in ice, ice, ice, ice,ice, ice, ice Written by Pharrell Williams, Beyoncé, S. OBO Itself and Oakland 13 Music; Carter Boys Music, Administered by Warner Chappell (ASCAP), BMG Monarch, Let The Story Begin Publishing (ASCAP); All Rights administered by BMG Rights Management (US) LLC; 1Damentional Publishing (ASCAP) / Sony/ATV Tunes LLC (ASCAP); Songs by Amnija/Universal Music Publishing Group (BMI); The Sweet Life, LLC Administered by Songs of Kobalt Music Publishing (BMI); Vinylz Music Group (ASCAP); Sony/ATV Tunes LLC (ASCAP); Big Trouble Little China/ EMPIRE SF (ASCAP)Produced by Beyoncé, JAY-Z, Boi1da, Jahaan Sweet, Vinylz and !

Carter Published by EMI Pop Music Publishing/More Water From Nazareth (GMR); Oakland 13 Music (ASCAP), All Rights Administered by WB Music Corp. Saalfield Pub Designee Contains an interpolation of “The Light” Written by Robert Caldwell, Noman Harris, Lonnie Rashid Lynn, Bruce A Malament, James Dewitt Yancey and performed by Common Published by Bendan Music (ASCAP); E P H C Y Publishing (ASCAP) My friends, real friends Better than yo’ friends That’s how we keep poppin’ out that Benz, yeah No foes, real friends We ain’t even gotta pretend, yeah Get bands, get bands Spend it all on my friends Gon’ pull me up, pull me up, pull me up & never let me down Never let me down Gon’ pull me up, pull me up, pull me up & never let me drown Never let me drown Gon’ pull me up, pull me up, pull me up & never let me drown Never let me drown Gon’ pull me up, pull me up, pull me up I’ll never hit the ground Never let me drown Never let me drown My friends, real friends Better than yo’ friends, yeah That’s how we keep poppin’ out that Benz, yeah Faux friends, real friends Better than yo’ friends, yeah Ask them, ask them They know all my biness’I don’t know what I would do Without all of my crew, yeah I ain’t making no room, yeah I ain’t making no new friends I don’t make no moves, yeah Without telling my crew, yeah That’s just how it do, yeah That’s just how it do… We know everything you say from n----- close to you You emotional When I say free the dogs, I free ‘em That’s how Meek got his freedom Ya put n----- on a t-shirt It hurts you ain’t ever meet ‘em You got n---- in the feds You ain’t even trying to feed ‘em I’m trying to free the world That’s how deep I’m in I ain’t going to nobody nothing If me and my wife beefin’I don’t care if the house on fire I’m dying n---- I ain’t leaving Ty Ty take care of my kids After he done grieving If y’all don’t understand that We ain’t meant to be friends Pull me up, pull me up, pull me up Don’t ever let me down They never let me down Gon’ pull me up, pull me up, pull me up Don’t ever let me drown Never let me drown Gon’ pull me up, pull me up, pull me up Them never let me down Never let me down Gon’ pull me up, pull me up, pull me up Don’t ever let me down Never let me down Never let me down They pray pray for me They pray pray for me See better things for me Want better days for me Unselfishly They pray pray for me They pray pray for me Whenever I’m in need They in the backseat With the AUX bumping BThey ain’t no pride involved They ain’t no pride involved In my heart, heart, heart You know 444That’s my dog, dog, dog See your dogs, dogs, dogs, Point em’ out, out, out Point em’ out, out, out What would I be without my friends? I ain’t got no understanding I ain’t got no understanding‘Bout them you might just catch these hands We fall out and we make amends Yeah, yeah my friends Your friends are foes My friends are goals Closer than kin Our souls exposed, yeah Your friends are frauds All they want is applauds, yeah And my friends, real friends Closer than kin Them pull me up, pull me up, pull me up Them never let me drown Them pull me up, pull me up, pull me up Them never let me down Them pull me up, pull me up, pull me up Them never let me down Them pull me up, pull me up, pull me up Them pull me up, pull me up, pull me up Them pull me up, pull me up, pull me up Them pull me up, pull me up, pull me up Written by Beyoncé, S. They don’t want Yoncé on their door Louie Slugger to your 4 door Careful, you’ll get what you ask for We go Go Go to Cuba, then Aruba in the middle of the winter Oh Skrrt, skrrt, brand new Sprinter We laugh to the bank, but we ain’t no joke, yeah You better act like you know, yeah Ain’t no need to ask, you heard about us No need to ask, you heard about us Already know you know about… llmind Mixed by Stuart White Recorded by Stuart White Mastered by Colin Leonard at SING Mastering , Atlanta, GA using SING Technology® Contains an interpolation of “Juicy” by The Notorious B. G Written by Sean Puffy Combs, James Mtume, Jean Claude Olivier, Christopher Wallace Published by Jumping Bean Songs LLC (BMI); Mtume Music (BMI); Twelve and Under Music (BMI); Big Poppa Music (ASCAP); Justin Combs Publishing (ASCAP) Can you tell us about love?

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CARR / BACKGROUND VOCALS BY CHRISSY COLLINS / MIXED AND RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT MIX ENGINEERING BY JOHN CRANFIELD / RECORDED IN THE BEEHIVE, LOS ANGELES, CA / MIXED AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA 6 INCH HEELS SHE WALKED IN THE CLUB LIKE NOBODY’S BUSINESSGOT DAMNSHE MURDERED EVERYBODY AND I WAS HER WITNESS (THE WEEKND)STACKIN’ MONEY MONEY EVERYWHERE SHE GO… 6 INCH HEELS SHE WALKED IN THE CLUB LIKE NOBODY’S BUSINESSGOT DAMNSHE MURDERED EVERYBODY AND I WAS HER WITNESSSHE WORKS FOR THE MONEYSHE WORK FOR THE MONEYFROM THE START TO FINISHAND SHE WORTH EVERY DOLLAR SHE WORTH EVERY DOLLAR AND SHE WORTH EVERY MINUTE SHE STACK HER MONEY MONEY EVERYWHERE SHE GOHER YAMAZAKI STRAIGHT FROM TOKYOSHE GOT THEM COMMAS AND THEM DECIMALSSHE DON’T GOTTA GIVE IT UP CUZ SHE PROFESSIONAL 6 INCH HEELS SHE WALKED IN THE CLUB LIKE NOBODY’S BUSINESSGOT DAMNSHE MURDERED EVERYBODY AND I WAS HER WITNESSSHE WORKS FOR THE MONEYSHE WORK FOR THE MONEYFROM THE START TO FINISHAND SHE WORTH EVERY DOLLAR SHE WORTH EVERY DOLLAR AND SHE WORTH EVERY MINUTE STARS IN HER EYESSHE FIGHTS FOR THE POWER KEEP IN TIMESHE GRINDSDAY AND NIGHTSHE GRINDS FROM MONDAY TO FRIDAY WORK FROM FRIDAY TO SUNDAY SHE GONE SLAY SHE’S TOO SMART TO CRAVE MATERIAL THINGSSHE PUSHING HERSELFDAY AND NIGHT SHE GRINDS FROM MONDAY TO FRIDAY WORK FROM FRIDAY TO SUNDAYSTARS IN HER EYES SHE FIGHTS AND SHE SWEATS THRU SLEEPLESS NIGHTSBUT SHE DON’T MINDSHE LOVES THE GRINDSHE GRINDS FROM MONDAY TO FRIDAYWORKS FROM FRIDAY TO SUNDAYSHE GONE SLAY TOO SMART TO CRAVE MATERIAL THINGSSTACKING HER PAPER STACKING HER PAPERSHE GRINDS FROM MONDAY TO FRIDAYWORK FROM FRIDAY TO SUNDAY 6 INCH HEELS SHE WALKED IN THE CLUB LIKE NOBODY’S BUSINESSGOT DAMNSHE MURDERED EVERYBODY AND I WAS HER WITNESSSHE WORKS FOR THE MONEY SHE WORK FOR THE MONEY (KNOW JUST WHAT TO DO) FROM THE START TO FINISH (TO MAKE YOU LOVE ME)AND SHE WORTH EVERY DOLLAR (LOVE ME)SHE WORTH EVERY DOLLAR (LOVE ME)AND SHE WORTH EVERY MINUTE NOW YOU KNOW I MAKE YOU FEEL YOU’LL ALWAYS COME BACK TO ME…..COME BACKCOME BACKCOME BACKCOME BACKCOME BACK WRITTEN BY ABEL “THE WEEKND” TESFAYE, BEYONCÉ, DANNY SCHOFIELD, BEN DIEHL, TERIUS “THE-DREAM” NASH, AHMAD “BELLY” BALSHE, BOOTS, DAVE PORTNER, NOAH LENNOX, BRIAN WEITZ, BURT BACHARACH, HAL DAVID / PUBLISHED BY SONGS MUSIC PUBLISHING, LLC OBO SONGS OF SMP (ASCAP), WB MUSIC CORP. ENOUGH…I DON’T CARE ABOUT THE LIGHTS OR THE BEAMSI' D SPEND MY LIFE IN THE DARKFOR THE SAKE OF YOU AND ME THE ONLY WAY TO GO IS UPTHEM OLE BITCHES SO WACK I’M SO TOUGH, WHAT’S UP?Carter, Marcello Valenzano, Andre Christopher Lyon, L. I got real problems just like you Ohh I got real problems just like you Tell that trick I don’t like you I don’t f--- witchu’ Ain’t nothin’ to it Real one Ain’t nothin’ to it Boss Ain’t nothin’ to it Real one Ain’t nothin’ to it I Boss Oohh, real one Boss Oh oh oh oh Oh, yeah Let me go B100 million crib3 million watch All facts No cap, false N---- you not a boss You got a boss N----- getting jerked That sh-- hurts I take it personally N----- rather work for the man Than to work with me Just so they can pretend they on my level That sh-- is irking to me Pride always goeth before the fall Almost certainly It’s disturbing what I gross (What I gross)Survey says you not even close(Not even close)Everybody’s bosses’ till it’s time to pay for the office Till them invoices separate the men from the boys Over here we measure success by how many people successful next to you Here we say you broke if everybody is broke except for you Boss!Ain’t nothin’ to it Real one Ain’t nothin’ to it Boss Ain’t nothin’ to it Real one Ain’t nothin’ to it I Boss Oohh, real one Boss Oh oh oh oh Oh, yeah Ain’t nothin’ to it I Boss I bought my momma a whip My great great grandchildren already rich That’s alotta’ brown chil’ren on your Forbes list Frolicking around my compound on my fortress Boss Oh, I be riding around with my seat reclining Dropping my daughter off at school every morning We slamming car doors I be troooollingggon these bum boys You ain’t talking about nothin’ I ain’t got no time Boss Chill…, tell them paps they gotta relaxyou tried it Toes in the sand Momma getting fat Snack Nothin’ to it, real one Ain’t nothin’ to it Boss Ain’t nothin’ to it Real one Ain’t nothin’ to it Boss Ohh, Real one I’m a Boss Oh oh oh oh Oh, yeah Ohh, ohh I’m a Boss Shout out to Rumi and Sir Love Blue Written by Beyoncé, S.WRITTEN BY JAMES PAGE, ROBERT PLANT, JOHN PAUL JONES, JOHN BONHAM, PUBLISHED BY FLAMES OF ALBION MUSIC, INC. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. (RECIPE)RUSHING THROUGH HER VEINS LIKE IT' S ECSTASY..

OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY MELO-X, BEYONCÉ AND DIANA GORDON / CO-PRODUCED BY HIT-BOY FOR HITS SINCE ’87 AND HAZEBANGA FOR HAZEBANGA MUSIC / ADDITIONAL PRODUCTION BY STUART WHITE / VOCAL PRODUCTION BY BEYONCÉ / ADDITIONAL PROGRAMMING BY B. OH NOSHE ALREADY MADE ENOUGH BUT SHE’LL NEVER LEAVE…PUBLISHED BY SOULJA BOY TELL’EM MUSIC (BMI), EMI BLACKWOOD MUSIC INC./DISASTER PUBLISHING/BIG-N-MAGE PUBLISHING (BMI) CONTAINS ELEMENTS OF “MAPS” WRITTEN BY BRIAN CHASE, KAREN ORZOLEK AND NICK ZINNER, PUBLISHED BY CHRYSALIS MUSIC LTD/BMG BLUE (BMI).ALL RIGHTS ADMINISTERED BY BMG RIGHTS MANAGEMENT (US) LLC. / PRODUCED BY JACK WHITE AND BEYONCÉ / CO-PRODUCED BY DEREK DIXIE / VOCAL PRODUCTION BY BEYONCÉ / BACKGROUND VOCALS BY RUBY AMANFU / RECORDED BY STUART WHITE, VANCE POWELL AND JOSHUA V. SMITH / SECOND ENGINEERING BY RAMON RIVAS / BASS GUITAR BY JACK WHITE / DRUMS BY PATRICK KEELER / HAMMOND ORGAN BY MARK WATROUS / MIXED BY STUART WHITE / ASSISTANT MIX ENGINEERING BY JOHN CRANFIELD / STRINGS BY ERIC GORFAIN, DAPHNE CHEN, CHARLIE BISHARAT, JOSEFINA VERGARA, SONGA LEE, MARISA KUNEY, NEEL HAMMOND, SUSAN CHATMAN, KATIE SLOAN, AMY WICKMAN, LISA DONDLINGER, TERRY GLENNY, INA VELI, GINA KRONSTADT, YELENA YEGORYAN, RADU PIEPTEA, CRYSTAL ALFORQUE, SERENA MCKINNEY, LEAH KATZ, ALMA FERNANDEZ, RODNEY WIRTZ, BRIANA BANDY, ANNA BULBROOK, GRACE PARK, RICHARD DODD, JOHN KROVOZA, IRA GLANSBEEK, VANESSA FAIRBAIRN-SMITH, GINGER MURPHY, ADRIENNE WOODS, DENISE BRIESE, RYAN CROSS, GEOFF OSIKA, MARK WATROUS, FATS KAPLAN, LINDSEY SMITH-TRESTLE / ORCHESTRATIONS BY ERIC GORFAIN / STRING ARRANGEMENT BY JON BRION / STRINGS ENGINEERED BY GREG KOLLER / ADDITIONAL DRUM PROGRAMMING BY DEREK DIXIE / PROTOOLS EDITING/RECORDING BY ERIC CAUDIEUX AT HENSON STUDIOS IN LOS ANGELES, CA AND JOSHUA V.OBO itself and Oakland 13 Music; Carter Boys Music, Administered by Warner Chappell (ASCAP), BMG Monarch, Let The Story Begin Publishing (ASCAP); All Rights administered by BMG Rights Management (US) LLCProduced by Pharrell, Beyoncé and JAY-Z Additional vocals by Pharrell Recorded by Stuart White and Tyler Scott Mixed by Leslie Brathwaite and Stuart White Mastered by Colin Leonard at SING Mastering , Atlanta, GA using SING Technology®Pharrell appears courtesy of Columbia Records Cash in deposits, 24 carrot faucets Louis V and Goyard trunks all in the closet Ain’t sh-- changed the streets is still watchin’And my lil’ baby Blue is like who gon’ stop us, huh Ain’t no way to stop this love…Ain’t no space if everything… oh D----it I love my life Styrofoam cups no ice Party before we go inside Never let ‘em out my sight They’re right by my side They’re my ride or dies They’re my ride or dies My friends are goals Your friends are foes We fly, why cry Our souls exposed, yeah We smoke, we laugh Your stress, my stress Closer than kin I’m blessed, you blessed Uh10 toes10 toes We was out in that road, uh Looking for love in wrong places We were posed to a stove, yeah Share jewels, share clothes That’s how deep this sh-- goes, yeah Every week ya got bros, yeah All of ya fake clothes, yeah Ya switching sides like NBA teams just after half time I’m pulling up on my dog make sure he ok, I don’t even have time And cop me a Porsche with butterscotch seats, this before they had meals Live better than rappers and they don’t even have deals It’s that real Bought Emory a BM as soon as he came home We hopped on a plane headed straight to the Bay That’s how we turned the game on It’s game on Ty momma died, I was there My nephew died, he was there He at my house more than I be there More than B there Ty Ty there E there Breezy there Juan there High here Chaka there Law there They all here Oh yeah Des there Kwanna here Sh-- feel like nirvana here Crib like the Soho house I might stay in and grow out my hair Tight circle no squares I’m geometrically opposed to you Ya like to try angles Ya like to troll, do you? Carter, Matthew Samuels, Jahaan Sweet, Denisia Andrews, Brittany Coney, Tavor Javon Holins, Amir “Cash” Esmailain, Navraj Goraya, Rupert Thomas Jr. us Ain’t no need to ask, you heard about us No need to ask, you heard about us Watch yo’ mouth when you around us If you don’t know, now you know people…We smoke & we drank D’USSÉ to the face Yeah And if don’t know, now you know people…Put you in your place B---- stay in yo’ lane Talk that talk BBilly Jean in his prime For the thousand time the kid ain’t mine Online they call me dad kiddingly You’re not supposed to take this dad thing literally That’s too famous, we don’t even really do famous I’m cool on that, chunk the two fingers Everyday I’m getting sued famous I show up to court without a suit famous Your every move is on the news, ain’t it ? Hmm Well there is love of children, love of self, love of God ,love of a partner All of dem have a different shape , but all of dem is the same in the end It’s about sensitivity, it’s about passion It’s about unconditional giving of self to another person And there’s love of humanity That’s the love that is right now needed most Love of humanity But in everything , in all of that love there is a soul It’s like when you take some eggs and break them And you take the shells and you mix them up Trying to find the one’s that match When you find the perfect match That comparity results in passion Results in unconditional giving of self I hope I can say that again Yeah I’m good on any MLK Boulevard I’m good on any MLK Boulevard See my vision with a tech, b---- I’m Malcolm XHaters dreading my effect, they want that Das EFXGet your hands up high like a false arrest Let me see ‘em up high this is not a test Yes Put ‘em up this is not a test Now hands where I can see ‘em F--- a false arrest This off white fit that I rock sh-- permanent, hmm The ‘fro that I grow got no perm in it, hmm A n---- late but he best dressed Got slowed down by the weight of my necklaces Park the Lex in projects B---- I’m reckless Extra magazine, hopped on the jet with my Ebony chick Blacker than the Essence Fest The behind the back pass is so effortless Lebron James to you Amber Roses Dapper Dan at 4 am, sh-- I am the culture I made my own wave so now they anti Tidal I’m living a no sock life to spite you Since the Kalief doc they been at my neck Ya’ could tell ‘em Trayvon is coming next The SEC, the FBI or the IRSI pass the alphabet boys like a eye test I’m good on any MLK Boulevard, (I’m good)I’m good on any MLK Boulevard, (He good)See my vision with a tech, b---- I’m Malcolm X, (I’m Malcolm X)Haters dreading my effect, they want that Das EFXYeah Get yo’ hands up high like a false arrest put your hands up high Let me see ‘em up high this is not a test, yeslet me see ‘em up high Yes, put ‘em up this is not a testput ‘em up, put ‘em up, put ‘em up Put your hands where I can see ‘em What’s a false arrest !is love I’m representin’ for the hustlers all across the world Still Still dippin’ in my lo-lo’s girl Still I put it down for the 7(Sem’) 1 3 And we still got love for the streets We playedit cool at the pool in Cancun VMAConfidence you exude make the fools stay away Me I play my room let the fools have they say Fate, had me sitting next you on a plane And I knew straight away The next time we would speak Was like two years away You had a man You shut it down Until you two had a break I bet that dude ruled the day You kept me up on the phone While you were away You came back , I let you set the date NOBU on the plate I brought my dude to play it cool My first foolish mistake Cash in deposits, 24 carrot faucets Louis V and Goyard trunks all in the closet Ain’t sh-- changed the streets is still watching And my little baby Blue is like who gon’ stop us, huh Ain’t no way to stop this love…Ain’t no space if everything… Saalfield and performed by Hiatus Kaiyote Published by P. Published by Oakland 13 Music (ASCAP), All Rights Administered by WB Music Corp. Higher Higher Higher Higher Higher Higher Higher Higher I’m good anywhere I go, anywhere I go (go)I pull up like the Freedom riders Hop out on Rodeo Stunt with your curls your lips Sarah Baartman hips Gotta’ hop into my jeans Like I hop into my whip, yeah Mobbing in a hoodie like Melo Come up out that pretty motherf-----’ like hello, hello I will never let you shoot the nose off my Pharaoh Yeah..(PRS), MELOXTRA PUBLISHING (BMI) , UNICHAPPELL MUSIC, INC.